BORN TO BE WIDE – 2nd FEB – EDINBURGH

Posted January 16, 2012 by Music Development
Categories: EVENTS, MDA MEMBERS

After an MIDA gathering the seminars take place at Edinburgh’s Electric Circus on Thursday 2 February, it will detail the selection procedure, fees, what artists are offered in terms of promotion and how to make the best use of a slot.

Confirmed guests include:

Dave Corbet [DF Concerts/T In The Park/The Edge Festival]

Katch Holmes [Knockengorroch Festival]

Gordon Reilly [Insider Festival]

Shaun Arnold [Go North and stages at Wickerman, Belladrum, Wizard and Loopallu].

Find out more about the panel guests here!

“Festivals offer a great platform for emerging acts to reach new audiences,” says Born To Be Wide co-organiser, Olaf Furniss. “This event will provide a unique insight into what festivals offer, and will also give musicians the opportunity to meet the bookers. We recommend people bring their CDs!“

After the panel, the seminar guests will stay at the venue to DJ with records they have selected from Edinburgh’s Oxfam music shop. Everything played will be for sale with all proceeds going to the charity.

Advance tickets are cheaper and are available by clicking on the links below.

Event Details: Thursday 2 February 2012, The Electric Circus Edinburgh, 7pm.

Tickets: £6.00 / £4.50 [MU] / £3.00 [under 18s] + booking fee - GO HERE

BBC RADIO 1 WARMS TO THE INDIES

Posted December 30, 2011 by Music Development
Categories: IMPACTING NEWS

Tags: ,

From THE GEN

Radio 1 has announced that it plans to open up more to the independent sector, offering various programmes to outside producers including a prestigious Saturday night slot.

The station are looking to independent production companies to pitch ideas and presenters for a ‘cutting edge’ new music show, set to be broadcast simultaneously on Radio 1 and 1Xtra on Saturday from 1am-3am.

This decision is part of Radio 1’s wider commissioning strategy, that will see the station opening up more opportunities for independent companies to pitch content for the station.

Ben Cooper, Controller at BBC Radio 1 and 1Xtra said: “The exciting new line up of talent that we announced last week should provide programme makers with inspiration for new and creative ideas, and I’m really looking forward to hearing what ideas the indie sector come up with for the brand new show – it’s a completely blank canvas, so a real opportunity for creativity and a fresh approach.”

Various off-peak shows will also be open to pitches early in the New Year, with details announced here.

Passport to Austin – SXSW Music Programme

Posted November 22, 2011 by Music Development
Categories: Uncategorized

Passport to Austin – SXSW Music programme

UK Trade & Investment in Yorkshire and the Humber would like to support the music industry to get the most out of visiting the SXSW conference and festival by providing the Passport to Export mentoring package specifically tailored to meet the needs of newcomers to the SXSW experience.

The package includes a workshop aimed at helping companies to shape their individual plans to create overseas interest and some invaluable contacts and publicity to prepare you for a visit to SXSW in March 2012. The cost of the briefing workshop, research and assistance is £300 + VAT.

If your company is eligible to join the Passport to Austin programme then £1000 of matched funding (50%) will be available to use against your SXSW costs. This could be used towards your pass, flights, accommodation and marketing collateral. You will also have one to one support from a UKTI advisor who has experience of SXSW.

SXSW Strategy Workshop
(January 2012 – exact date TBC)
Presented by Phil Patterson, Music Industry Expert for UKTI. This one day workshop which is part of the Passport to Export Programme is specifically aimed at music at SXSW. We will look at how people have successfully used UKTI in the past, the various things to consider in looking for partnerships and opportunities overseas and an understanding of your objectives in attending the conference. The workshop will include a video conference with Carlo Cavagna who is our US Sector Lead for Creative and Media in the USA and has a wealth of experience in the music industry and of SXSW.

SXSW Preparation, Research & Contacts
(November – February 2012)
Carlo and his team will undertake market research on behalf of the group and provide you with a comprehensive list of relevant contacts in the music industry. His team will also carry out publicity on your behalf and issue press releases prior to the conference in March.

SXSW Conference and Festival
(13th-18th March 2012 – Austin, Texas)
There is plenty to do at SXSW with the conference, festival and networking opportunities, of which we will keep you informed. We will have UKTI staff on hand to help if you need us and you can also use the UKTI exhibition stand as a venue to network and arrange your meetings.

If you would like to participate in the Passport to Austin programme and subsequent delegation to SXSW contact, Jo, who will assess your eligibility and process your application.

Jo Hubbard
Mobile 07500 082589
Email j.hubbard@uktiyorkshire.co.uk

Join Making Music’s campaign to save YLI Music and Drama Service

Posted October 31, 2011 by Music Development
Categories: CAMPAIGNS, IMPACTING NEWS

Join their campaign to save YLI Music and Drama Service.

‘RISKY BUSINESS’ REPORT DOWNLOAD

Posted October 17, 2011 by Music Development
Categories: DOCUMENTS

 

 

Posted in by Generator on Wednesday 12th of October 2011

After years of musicians getting knocked back by banks for funds, a new report from Think Tank Demos has suggested that creative industry start-ups are actually less risky than businesses in other sectors.

‘Risky Business’ was published this week and echoes the work of Generator and UK Music by placing the creative industries at the centre of UK growth. Written by Helen Burrows and Kitty Ussher, the report also states that creative industries in the UK are the ‘Cinderella sector’ of the economy, worth 6% of the GDP, which is twice the European average.

The attitude of banks has been to reject music companies as being stereotypically high risk- Chairman of the Music Managers Forum Brian Message has frequently spoken out on the issue, revealing that in 2010, he failed to get a loan from the four big high street banks to fund The Rifles, a band with a commercially proven track record who were selling out large UK venues such as the Roundhouse at the time. It took two years and nine applications to get RBS to put up a loan of £45,000, a quarter of what Message was actually looking for.

This has resulted in criticism of the Enterprise Finance Guarantee (EFG) scheme- a £2bn pot backed by theGovernment to supposedly help new musicians and promoters. Figures announced in July this year showed that only two music sector loans had been approved in two years of the scheme.

Blasting away the stereotypical myth that it is difficult to quantify creativity and equate it with cold hard cash, the Demosresearch found better survival rates for new music and creative business start-ups over the first five years than in many other sectors.

UK Music spokesman said: “The main thing is the report highlights that creative industries are highly adept at managing risk. In other words, even though music companies are hugely entrepreneurial and invest in “unpredictable” products, their longevity is above average.”

‘Risky Business’ contains 16 policy recommendations to Government including that they need to broaden their definition of the creative industries and facilitate greater understanding between the finance and creative sectors.

DOWNLOAD THE REPORT HERE

MUSIC FUTURES – NEWCASTLE – 17/11/11

Posted October 17, 2011 by Music Development
Categories: EVENTS, MDA MEMBERS


Music Futures: Newcastle 2011
Thursday 17th November
Live Theatre, Newcastle upon Tyne
10am - 6pm

Music Futures is Generator’s new music business conference bringing together some of the most innovative minds in the music industry to take over Newcastle’s Live Theatre on Thursday 17th November for a full day of debates, discussion and networking.

The day kicks off with a keynote speech from Tony Wadsworth, Chairman of BPI, who will discuss the key themes of his ‘Remake, Remodel’ report for Music Tank. Key themes throughout the day are 'Monetising Everything Except the Music'; 'Marketing Direct to Fans'; 'The Record Label Reboot'; 'Discovering and Developing New Artists'.

Other key guest speakers include:

Shamal Ranasinghe, Topspin
Caroline Elleray, Universal Music Publishing
Paul Brindley, Music Ally
Sean Adams, Drowned in Sound
Nikke Osterback, Atlantic Records
Jon Webster, MMF
Scott Cohen, The Orchard
Julie Weir, Visible Noise
Keith Armstrong, Kitchenware Records
Gary McLarnan, Sparkle Street
Daryl Robinson, MAMA Group

In addition there will be plenty of networking and breakout sessions to meet like-minded businesses and individuals.

Get Plugged In taking bespoke course to the masses

Posted September 13, 2011 by Music Development
Categories: Uncategorized

Targeting tour managers, promoters, booking agents, marketers, DIY artists and small-to-medium sized venue owners and operators, this innovative course provides all with a thorough grounding in the business of live music. Today’s best practice will be considered in an open forum, and strategies explored for improving attendances and revenues.

Not only suited to the grassroots/emerging market, exisiting businesses and entrepreneurs gleaned much from this course which educated, informed and inspired all, whether as artists wanting to understand how to work with venues, promoters and booking agents or as to mid-level operators wanting to take their business to the next level.

Check it out HERE

Julie’s Bicycle reach a Higher Rhythm

Posted September 13, 2011 by Music Development
Categories: IMPACTING NEWS, MDA MEMBERS

Julie’s Bicycle a leading organisation working with the creative industries to reduce environmental impacts have produced a case study about Higher Rhythm and their efforts and published this on their website

Focusing on their investment in low power consuming iMacs, the installation of air conducted heating and the recycling of waste, they have made real efforts to reduce our environmental impact over the past years.

Their flagship project of developing our outside broadcast and recording vehicle to use power from high performance batteries and so never having used mains electricity in its 3 years of service, received particular praise.

Wahoo well done you power rangers in Yorkshire, keep pedalling!

SXSW: Making the Most of International Music Roadshow

Posted September 2, 2011 by Music Development
Categories: EVENTS, MDA MEMBERS

Music entrepreneurs and musicians from across the South West will be given a master class into how to crack the international music industry at the ‘Making the most of International Music Events’ roadshow that will be held at Waterside 2, Watershed, Bristol , on Thursday 8 September.The roadshow, organised by UK Trade & Investment, is supported by leading music industry associations and organisations including AIM, Bristol Music Foundation, BPI, Creative Scotland, FFWD, Generator, The Great Escape, Liverpool Sound City, MPA, PPL, PRS for Music, Timeless Music Project and Welsh Music Foundation.

Activities on the day will include: Q&A sessions with industry experts, interactive panel sessions with senior executives from SXSW and Midem (two of the world’s leading international music trade shows), and an opportunity to network with these experts, UK music companies and other musicians.

Phil Patterson, UK Trade & Investment music industry specialist and one of the event speakers said:

“It’s been a great 12 months for British music. In 2010, one in five of the top 50 selling records released around the world featured British artists, and this March British music received a further accolade when Adele, Marsha Ambrosius and Mumford & Sons secured the top three places in the US album chart. A feat not achieved since 1985.

“Talent is important, but to really have a chance in succeeding in some of the world’s most lucrative markets, it’s important for music firms to attend events like this and to get advice from organisations such as UK Trade & Investment to understand how to successfully navigate their way to international success.”

  • The UK is the second largest music market in Europe and the fourth largest in the world.
  • The UK is the second largest music exporter in the world.
  • The music industry generates revenues of nearly £4billion a year in the UK.
  • In the US, UK acts accounted for one in 10 (9.8 per cent) of every artist album sold in 2010, rising to one in seven (13.4 per cent) in Canada and one in five in markets like Germany and Australia.

Digital Economy Act – Action from the VC

Posted August 3, 2011 by Music Development
Categories: IMPACTING NEWS, UK_MUSIC

Tags: ,

From the Guardian
Vince Cable, the business secretary, will say on Wednesday that government plans to block illegal filesharing websites under the controversial Digital Economy Act are in effect unworkable.

Outlining the government’s response to the Hargreaves report on the future of UK copyright law, Cable is also expected to announce legislation to sweep away restrictive rules on file copying and parody works.

In a speech at the British Library on Wednesday, the Liberal Democrat minister will outline the next steps for the introduction of the delayed Digital Economy Act.

Cable will row back on one of the act’s most contentious measures – introducing legislation to block access to copyright-infringing websites – and instead suggest that the existing Copyrights, Design and Patents Act is powerful enough.

That follows last week’s landmark high court ruling, which forced BT to cut off access to Newzbin2, a site found to be infringing copyright “on a grand scale”.

Cable’s intervention comes as ministers struggle to implement anti-piracy measures outlined by the Digital Economy Act rushed through by the Labour party at the end of its time in office.

The first warning letters to be sent to Britons accused of illegal filesharing are now not due until the second half of 2012 – more than a year later than originally planned.

A series of legal challenges have meant that cutting off the internet connections of serial pirates is unlikely to begin until 2013 at the earliest.

Cable is also expected to announce a “scoping review” into the viability of a setting up a digital copyright exchange, one of the key proposals of the Hargreaves report published in May – in effect kicking the idea into the long grass.

The rights exchange, which would effectively be a one-stop shop to make lawful use of copyrighted material easier, received “serious pushback” from media companies, according to one industry source. Film and music companies and broadcasters are understood to have raised a number of issues about the proposed exchange, including fears that it may contravene various European regulations by forcing all rights holders to participate. One industry source said that if it was a full “stock exchange” trading platform it may not generate as much revenue as selling rights directly.

The government is anticipated to legislate to sweep away many of the UK’s archaic intellectual property restrictions that make it technically illegal to transfer content from CDs or DVDs to other formats, such as iPods. The reforms will also make it legal for Britons to burn copies of music and video files for family members to use, and give legal protection to spoof works.

Cable has previously said that private copying is carried out by millions of people who are “astonished” that it is technically illegal. He said: “We need to bring copyright into line with people’s expectations and update it for the modern digital world. This will free up innovative British businesses to develop new consumer technology and help boost economic growth.”

Cable is expected to outline further changes to the DEA, including how costs are apportioned between rights holders and ISPs. The judicial review ruled in April that ISPs should not foot the bill for setting up an appeals body.

Ed Vaizey, the communications minister, is understood to have set a date of mid-September to get ISPs and rights holders to another roundtable meeting aimed at curbing infringing sites voluntarily.

However, many rights holders are dismayed at the delays in implementing the Digital Economy Act. “What we would very much like is the government to get on drafting and writing the code that goes with the DEA and to fast-track the legal process so it doesn’t take hundreds of thousands of pounds and a long time to sort these things out,” said Lavinia Carey, director general of the British Video Association.


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